I'm re-reading Candide, and it's just as fresh and wonderful as I remember. What a great little masterpiece. Here's one of my favorite parts:
The man of good taste explained quite clearly how a play could arouse some interest, yet have no merit. He proved in a few words that it is not enough to bring in one or two of those situations which are found in novels or two of those situations which are found in novels and which always captivate an audience; but that a dramatist must be original without being eccentric, that he must be often sublime and always natural, that he must know the human heart and make it speak, be a great poet without letting any of his characters sound like a poet, have a perfect command of his language without ever sacrificing meaning to rhyme. "A playwright who doesn't observe these rules," he added, "may turn out one or two tragedies that will be applauded in the theater, but he'll never be regarded as a good writer.
Monday, June 13, 2011
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